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Emilio Daniel Medeiros Moreira
Uruguay

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Biography

Brief portrait
Uruguay, Paso de los Toros (Approximately 10.000 inhabitants) at the end of the 60's, by the riverside of Black River, downstream of the first hydroelectric dam Arisen in the country, at the Geographic and livestock production center in Which I Was Born and Lived His childhood.
Later on I Moved to the capital city (Montevideo, MOUNT, sixth-VI-, from East to West), port of Rio de la Plata. His family map drew an inexorable...

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26.38 x 25.98 in
Drawing
47.24 x 28.74 in
Painting
24.02 x 24.02 in
Painting
17.72 x 25.59 in
Painting
47.24 x 40.55 in
Painting
53.15 x 44.49 in
Painting
28.35 x 21.26 in
Painting
39.37 x 27.95 in
Painting
22.44 x 29.13 in
Painting
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Photo of Emilio Daniel Medeiros Moreira
Emilio Daniel Medeiros Moreira
Uruguay

Brief portrait
Uruguay, Paso de los Toros (Approximately 10.000 inhabitants) at the end of the 60's, by the riverside of Black River, downstream of the first hydroelectric dam Arisen in the country, at the Geographic and livestock production center in Which I Was Born and Lived His childhood.
Later on I Moved to the capital city (Montevideo, MOUNT, sixth-VI-, from East to West), port of Rio de la Plata. His family map drew an inexorable course Towards the south line coming from Brazil.
He Began His studies in History, continued with Architecture and Engineering, and BE made definitively in plastics under the direction of two Professors linked to the Southern School (South) (Torres Garcia Workshop), teaching Developing Assessments Also at the National School of Fine Arts in Montevideo.
From historical and historical teachers Theoretical Interest in the legacy of Don Joaquin Torres Garcia, I acquires the sheens of historical poetics to Which I Did not renouncer, pero seeks to vindicate for Them considering current and close to the CONSTRUCTION Universalism More Than Ever Before, Malthus, constitutes the Principles of historical painting and conception of Art, a fondness to structural sobriety , a critical attitude of the American culture, the rejection of the colonial and the unauthentic character of Many Manifestations of STD s, such as folklorist or Indigenous solutions, and of all culture mimics Other Modalities of untimely repeats the gestures of the metropolis - The Most patent way of colonial spirit -;
He Proposes the Carrying out of an anonymous Almost Art Which Starting from scratch Be related to the "great tradition" of ancient civilizations of the cosmic rhythm, Those That Are an example of Pre-Columbian cultures Not Understood as a repertoire of elements to plunder, But as an attitude to continue Rediscovering.
An a-historic utopia, one of the An Everlasting Art, exterior to the local little Traditions and Their stories create the Conditions That from the inside to experience the richness of research That Have created the Vanguards of the 20th century, pero immunize Against the Frivolity of run it from the Beginning and Becoming docile disciples of plagiarizing What is defined as rebellion and Fairly creativity.

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